Mark Wendland

The Gardens of Anuncia

The Gardens of Anuncia

Michael John LaChiusa’s new memory musical, The Gardens of Anuncia, is a love letter to Broadway legend Graciela Daniele and an homage to the three woman who shaped her life in Juan Perón’s Argentina. Sensitively directed by Daniele, it offers one not only a glimpse of the icon before she became famous for her choreography but a portrait of the artist as a mature woman, looking back on her star-dusted life. LaChiusa, who created the book, music, and lyrics, has earned a reputation in the American musical theater as a maverick who never repeats himself. And, indeed, his latest venture cements his image.

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The Mother

The Mother

Florian Zeller’s play, The Mother, is subtitled “a black farce.” If that conjures images of slamming doors and maids running around frantically in their underwear, forget it. The frenzied activity in Trip Cullman’s production is almost entirely provided by the great French actress Isabelle Huppert, and although she strips down to a slip and garters at one point to put on a sexy red dress, it’s not at all lubricious or funny.

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