Maz and Bricks, a production of the estimable Irish company Fishamble, draws on many of the hallmark of Irish drama in the last quarter century. Playwright Eva O’Connor tells her story, a two-hander, with vibrant narrative monologues alternating with scenes and even a double direct address from its characters to the audience. The monologue intertwining has been a staple of Irish playwriting from Brian Friel (Faith Healer, 1979) to Conor McPherson (Port Authority, 2001). The scabrous language, elevated to poetry, is equally Irish.
Forbidden Broadway: The Next Generation
It has been five years since the last edition of Forbidden Broadway, titled Forbidden Broadway Comes Out Swinging. (It always did.) The long hiatus, however, hasn’t dulled the ruthlessness of Gerard Alessandrini, the Drama Desk–winning lyricist and director who satirizes a range of theater shows and foibles, often using classic show music with his own deft lyrics. And he has probably never been more ruthless than in Forbidden Broadway: The Next Generation. Smart, vicious and superbly cast, it’s sublime.
Who Killed Edgar Allan Poe?
The title question of Poseidon Theatre Company’s immersive/interactive production Who Killed Edgar Allan Poe? The Cooping Theory 1969 is probably not one most people have asked themselves, even if they were aware that the great author had died mysteriously in 1849. Even less likely to be known is the second phrase in the title: “the cooping theory.”