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Rachel S. Kovacs

A Commercial Jingle for Regina Comet

A Commercial Jingle for Regina Comet

What do you get when you throw two struggling souls in search of success together in a high-stakes campaign to rebrand an assertive, middle-aged, ex-pop icon named Regina Comet? You get two talented but anxiety-ridden young men, reaching for the stars and stumbling all over each other in semi-slapstick style. They also search for their own awakened, perfected selves as they strive to create the ideal jingle to launch Regina—and her fragrance line—back into the mainstream.

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Brecht on Brecht

Brecht on Brecht

German poet and playwright Bertolt Brecht (1898-1956) was a world traveler—not by choice, but by conviction. His larger-than-life, highly controversial career caused him to flee Nazism and take refuge in several countries before he was granted permission to settle in the United States. The Theater Breaking Through Barriers (TBTB) production of Brecht on Brecht tracks the playwright’s odyssey using his songs and writings, which include The Threepenny Opera, The Life of Galileo, and Mother Courage and Her Children.

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Friends: The Musical Parody

Friends: The Musical Parody

If you’ve never watched Friends, the TV megahit that aired from 1994–2004, that wouldn’t preclude you from enjoying Friends: The Musical Parody. It’s hysterically funny, and concisely captures the idiosyncrasies of every one of the six characters who provokes, pairs off with, or parts ways with another.

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Chasing the River

Chasing the River

Jean Dobie Giebel’s Chasing the River follows the post-incarceration difficulties of Kat (Christina Elise Perry), who returns to her childhood home to seek closure on a disrupted life. Playwright Giebel delays explaining, until the play’s conclusion, the reason Kat went to prison, and that choice is a double-edged sword. Although it creates suspense as to what really took place in her family home, keeping Kat’s crime and the backstory shrouded in mystery poses a problem for the actor who must sustain the anguish of a past life and bring it to a crescendo at the end.

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Brecht: Call and Respond

Brecht: Call and Respond

An evening of one-act plays, such as those in Brecht: Call and Respond, presents considerable challenges. Playwrights and actors must develop and sustain their characterizations quickly and intensely over a shorter period of time. The umbrella title for three works, Brecht: Call and Respond includes The Jewish Wife by Bertolt Brecht, Sunset Point by Arlene Hutton, and Self Help in the Anthropocene by Kristin Idaszak (the last two were commissioned by New Light Theater Company in 2019).

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Romeo and Bernadette

Romeo and Bernadette

It’s rare that a musical synthesizes genres and influences from popular and high culture and succeeds at integrating them all, but Romeo and Bernadette does. With book and lyrics by Mark Saltzman, and music adapted from traditional Italian melodies, this show incorporates elements of Romeo and Juliet, West Side Story, and Bill and Ted’s Excellent Adventure, with a bit of The Sopranos to boot. Northern vs. southern Italian (Sicilian) class prejudices and contemporary renditions of classical Italian operas are thrown into the mix for good measure.

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Anything Can Happen in the Theater

Anything Can Happen in the Theater

Be prepared for an evening of delight at Anything Can Happen in the Theater, a revue that features the music and lyrics of acclaimed Broadway composer Maury Yeston. The numbers, primarily chosen from Yeston’s shows—Nine, Grand Hotel, Titanic, and In the Beginning—run the gamut from whimsical, poignant, upbeat, and celebratory to seductive, satirical, and altogether charming.

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