Ricky (Omar Cardona) (left), Daniel (Blake Aburn) and Jordan (Michelle Coben) in From Here.
Renaissance Theatre Company’s From Here is an impactful musical tribute to the resilience of the Orlando, Fla., community in the wake of the Pulse nightclub shooting in June of 2016. This production features some of the original Orlando cast, which brings a deeply personal touch to this Off-Broadway premiere.
Blake Aburn as Daniel (left), with his ex-boyfriend, Michael (Jullien Aponte) in From Here.
From Here is a touching exploration of grief, love, and community. The musical’s narrative weaves through the lives of a group of friends from Orlando, telling of their everyday interactions, relationships and concerns. Although a significant aspect of the musical is its setting in Orlando, with references to the Pulse nightclub tragedy, the actual event is a small part of the play, serving more as a backdrop to the personal stories unfolding on stage.
The protagonist, Daniel (Blake Aburn), is the central figure in the musical, which delves into his failed and failing relationships. Those relationships are depicted with a raw honesty that reflects the complexities of human connections. For instance, Daniel’s boyfriend Michael breaks up with him early in the show, in a way that highlights Daniel’s self-sabotaging tendencies and fear of stability. Aburn brings a nuanced performance to Daniel, making him both likable and frustratingly human. He is also estranged from his mother, Becca (Becca Southworth), because of his sexuality. Despite her not answering his calls, he leaves her daily voice messages, updating her on his life and often ending with, “But I’m still not sorry,” referring to him not being sorry for who he is and how he lives his life.
Daniel, (left), with his mom (Becca Southworth) in From Here.
Daniel frequently breaks the fourth wall and narrates parts of the story, infusing elements of comedy into his monologues. He candidly addresses the audience when he introduces himself, saying, “Hi, I’m Daniel. I’m twenty-eight years old. Okay, I lied to you already, I am a youthful thirty-three … four. I’m thirty-four.” This blend of humor and vulnerability characterizes much of Aburn’s performance.
When Michael (Jullien Aponte) breaks up with him, Daniel is heartbroken but finds comfort in a tight-knit circle of friends, who support one another. They frequent clubs, have dinners, play games together and have parties at their homes. This dynamic highlights the joy and solidarity within the LGBTQ+ community.
A touching aspect of the story is Daniel’s budding romance with Ricky following his break-up with Michael. As Daniel navigates through heartbreak and self-discovery, Ricky gradually becomes a source of comfort and new beginnings. Their relationship is depicted with tenderness and sincerity. At one point, Ricky tells Daniel, “You have this light about you. It’s beautiful. Don’t let the world dim it. Don’t let the past define you.” Ricky’s understanding and empathy help Daniel confront his past wounds and embrace the possibility of happiness.
Omar Cardona as Ricky singing.
But the musical also illustrates how violent tragedies can shatter a sense of security and belonging. Although no one from the group was at Pulse on the day of the shooting, their lives forever changed on hearing the news of the massacre. They lost friends or acquaintances and the safety of a place where they once felt free to express themselves. Ironically, the horror of the day helps reunite Daniel and his estranged mother. This poignant narrative at the end of the play underscores the far-reaching impact of violence on communities, even those not directly involved. After the shooting occurs, the group gathers at Daniel’s home and shares anecdotes about going to Pulse. They also share their grief and fear.
Jerry Mullings and Michelle Coben dancing in From Here. Photographs by Matthew Murphy.
The cast delivers strong performances, with exceptional singing and acting. The ensemble’s chemistry is palpable, creating a sense of genuine community on stage. Omar Cardona as Ricky shows off both vocal prowess and emotional depth, bringing a heartfelt authenticity to his role. One of the standout moments is the song “Todo,” about family and Puerto Rico. His voice is captivating, carrying the audience through waves of emotion.
The musical’s set design is simple but functional, allowing the focus to remain on the characters’ interactions and the powerful narrative. The lighting and sound design complement the performances, enhancing the emotional impact without overwhelming the audience. The minimalist approach favors the production, ensuring that the raw emotions and personal stories take center stage.
From Here excels in its sincerity and emotional resonance. It serves as a testament to the healing power of art and community, a reminder that even in the face of unimaginable tragedy, there is hope and strength to be found.
Renaissance Productions’ From Here runs through Aug. 11 at Pershing Square Signature Center (480 W. 42nd St.). Evening performances are at 7:30 p.m. Wednesday through Saturday, and matinees are at 2 p.m. Saturday. There will be one more matinee, on Sunday, Aug. 11. For tickets and more information, visit fromhere.com.
Direction, Book, Music & Lyrics: Donald Rupe
Set & Lighting: Philip Lupo
Costumes: J. Marie Bailey
Sound: Matt Craig
Arrangements & Orchestrations: Jason M. Bailey
